simpleposie wants to know:
How should a critic cope with the idea "...there is far less ‘bad’ art out there and more that is 'important for its stature, timing or positioning but flawed'"?
Posted by J@simpleposie
at 4:11 PM EST
simpleposie wants to know:
How should a critic cope with the idea "...there is far less ‘bad’ art out there and more that is 'important for its stature, timing or positioning but flawed'"?
